(Born 1982, Nashville, TN. Lives in Chicago, IL).

Drawing on the vocabularies of traditional arts media along with architecture and transportation infrastructure, Erik L. Peterson creates site-specific installations, public artworks, urban performances, edible sculptures, and neon artworks that challenge a viewer’s sense of space and self. Teasing out the absurdities of social convention with wry humor, his projects give viewers agency to experience the physical act of perception. Peterson’s unconventional approach to materials and his commitment to audience engagement serve to activate the public realm in new and unexpected ways. His art transports the pedestrian into a space of subtle strangeness and surprise, offering viewers a new way to participate as members of, and in the space within, a complex and changing ‘public’.

Erik L. Peterson’s work been featured in solo exhibitions at the Arts Club of Chicago, Open House Contemporary, EXPO CHICAGO, Bert Green Fine Art, Waubonsee Community College, Project 1612, Chicago Artists Coalition; via public art projects and performances for the Broadview Hotel in Toronto, the Downtown Norfolk Council, Chicago Department of Special Events and Cultural Affairs (DCASE), and Pick Museum of Anthropology; and in group shows at The Franklin, Arizona State University, Eastern Illinois University, University of Nebraska–Omaha, University of Wisconsin-Milwaukee, and Columbia College, among others. Peterson is a founder of Hyde Park Kunstverein (HPK), an experimental “community museum” and Qeej Hero, a cross-cultural video game featuring an ancient Hmong musical instrument. He holds a B.F.A in Sculpture from Washington University in St. Louis and an M.F.A. from the University of Illinois at Chicago. In addition to his artmaking practice, Peterson is the Manager of Family Programs and Student Engagement at the Smart Museum of Art. Peterson is one of the featured artists in the 50x50 project for the City of Chicago’s upcoming Year of Public Art in 2018.